Until July 2017, documenting the seasons of coastal Dorset. I'm a complete amateur so don't trust I'm always right. If ever you see I'm wrong - whether with identifications or in anything else - do say! Meanwhile . . . I've now moved to Halifax in West Yorkshire. Click on the link below to collect the new URL. Don't forget to follow there!
Showing posts with label OXFORD. Show all posts
Showing posts with label OXFORD. Show all posts

Friday, 11 November 2016

GOLDEN LIGHT AT THE ASHMOLEAN

Ashmolean Museum, Oxford. Light from the courtyard spilling down some steps onto the street
The other side of Oxford; its golden light. Lots of places have golden light but if the sun happens to shine like mad in the middle of a rainy day in a place where the stones are dull and the pavements grey . . . and you  (oh so surprisingly) have your camera to hand . . . well, what do you do? You look for street plants, that's what.

I'd arranged to meet a friend outside the Ashmolean Museum but was a little early. I could have gone in - seen the Rembrandt Paintings . . the Viking Hoard . . masses of things bound to be special. A notice outside says it's the oldest museum in the country. (And of course, as we know, it's one of the best) . . .  BUT . .  if I were an exhibit, although I'd be proud to be there . . . I'd probably be a little vain by now and wouldn't be too chuffed if a scruffy woman in worn-out shoes came and stared into my eyes. And however famous I was, I reckon I'd be a little overwhelmed too. All those visitors; in-out, in-out. All day. No peace for a statue or a painting! So, respectfully, I decided to leave them alone and potter around looking for plants instead.

My world is somewhat divided into places where weed-killers are used . . . and places where they are not. The area in front of the Ashmolean must be a killing field. Could I find little seedlings between paving stones? No. Little trees up on the rooftops? No. So, having walked up and down the courtyard for a while ( 'courtyard' is probably the wrong word because it has a side missing) . . . I wandered under an arch, down a flight of steps, into the street.

By every second, the light was losing day. The clocks have already turned to winter and autumn is settling in. But an odd and brilliant shaft of golden sunlight had landed in front of the museum. Here (above) you can see what I mean. Looking back up the steps . . . you can see that tourists gathered outside the main doors are unfairly standing in summer. And for all that my socks are soggy where the rain has crept through my shoes . .  a little bit of summer is leaking down the steps onto the wet pavement and has almost reached my feet.

Leaves on paving stones (flags?) outside Ashmolean Museum, Oxford
Retrospectively, I should have gone and stood in summer and imagined it was there specially for me - but I think it was really trying to get to these particular leaves. Some leaves are . . . some leaves are . . . some leaves are as good as anything you find in a museum. I'm not turning ridiculous. If I had to chose between preserving a Rembrandt or an autumn leaf, I would, definitely, definitely, chose the Rembrandt - though with regret. Because for all that leaves are ephemeral and plentiful in a way great paintings are not, they are still absolutely and marvellously incredible. Actually . . . a leaf is more incredible than the very best, the very most beautifullest and insightful painting. It's obvious how a painting came into being (someone picked up a paintbrush and made it) a leaf just is. And if I were in a scientific mood I'd go into paroxysms of praise for its complexity. And how, when I was at school, words like 'zylem' and 'phloem' were magic. (And 'ox-bow lakes' - but that's geography.) (And 'chlorophyll' is pretty good too.)

Oh, my goodness, where am I?

Yes. So. While paintings were busily being protected in the museum . . . I was searching for plants beyond attention.

Little plants where a paving stone has broken outside the Ashmolean Museum, Oxford
Back on the terrace (better description than courtyard?) the golden light had vanished (it does!) but a few foot from the main doors; look! a cracked paving stone and a little garden!

A magnificently rebellious garden. And the most rebellious, the most defiant of all, a little grass plant in flower. See it? Oxford has it in for grass. University authorities must have arranged for armies of gardeners to keep grass under assault. There are acres and acres of lawns . . . mowed and mowed and mowed, battered into uniformity and into wearily precise, ultra-green stripes. Ne're a daisy to be seen. You can't even walk on most of the grass! What do they think grass is for if it's not for growing daisies in and picnicking on? But there you are. Back to big brains missing the point yet again - and tiny plants re-seizing their world.

Dead plant on window sill by column at Ashmolean Museum, Oxford
And, by chance . . . (it can't really be chance? more that I can't think of a reason?) - one plant on a window sill. A bit of a dead plant admittedly. But that's what most plants ultimately are - dead. It's what they eventually do - die. This one is a real mystery though. Why was it the only one there? How come other window-sills didn't have dead plants too?

And one last walk under the arch before tea at the top of the museum . . .

If you have ever wandered between state schools and public ones . . . or FE colleges and wealthy universities . .  you notice things like doors. And handrails. The more money a community has to spare, the more it has to live without interesting scratches. Being a bit of a grump-box I tend to think there are better ways to spend money on than polishing doors . . . but . . . Now. Here's a really important question. Why don't statues smile? This isn't the beginning of a joke. I really ask - why it is that citizens in public sculptures stare straight ahead or thoughtfully frown? Cherubs blow out their cheeks and grow fat. Dancing children look dizzily happy and smile past each other as if they've been drugged and frozen mid-prance.

Bust of a smiling man beyond windows in polished wooden doors.
Yet . . . under the arch . . . where the doors are polished and clean . . . looking out and smiling . . . the bust of a smiling man. Does anyone know who he is? Why he is there? Why he is smiling? I took his photograph with a wink of complicity. I doubt many people notice the garden in the broken paving stone . . . or a remnant of summer on a window-sill . . . But he and I shared something. I was looking for a world-un-noticed and he was looking un-noticed onto a world where a little bit of golden light had got itself left behind under an arch.

(Of course, he may turn out to be a mass murderer, chortling cheerfully over his crimes. Let's hope not!)

Monday, 14 September 2015

BUNGING IN SOME STREET PLANTS

Car with carrier on roof, and a bus, beside bench where plants found.
I was stropping around on the promenade in Minehead (Somerset) aggrieved because sea-side fish and chips should be the best - crispy batter, tasty fish - and mine wasn't (soggy, under-cooked, thick and stodgy batter, tasteless and distasteful fish) when I decided to sit on a bench where I could look at the wall which obscured the sea.

No-one was smiling much. I'd come up from the beach where a young man had been looking at his phone while he explained to a bored toddler in his charge that children are supposed to enjoy playing with the sand because that's what little children should do and that said little child shouldn't start climbing the steps back to the promenade in an endeavour to escape all this boredom . . . and went to sit on this bench.

Small, green succulent growing between wooden slats of bench



For a sea-shaped bench it was surprisingly comfortable. I didn't mind sitting on wooden waves - especially when I noticed they were harbouring a veritable garden of little plants. The light was failing so pictures of the plants were mostly blurred - and I had to hurry because other people wanted to sit on the bench too and were looking on bemused because I'd got off it and was pointing my camera into it.

Grey toadstool growing between wooden slats of bench by the sea
Coprinus

But if the sun had been shining and I had had more time - you too would have been wowed by the variety there.

Street plants are everywhere. We even sit on them!

Here's a toadstool growing between the slats of the same bench.

Silhouette of plant in front of lighted roof of University Press, Oxford

And another time this summer . . . while walking down a street beside the Oxford University Press (in Oxford) in the dark (I walk in sunshine some times) I saw this plant perched right up on the roof. If it hadn't been dark, if the lights inside hadn't been on, if the roof hadn't been made of glass - I doubt I would even have noticed it. But there it was. Lonely but proud.

Dotted Loosestrife with bright yellow flowers against fence by gate
Dotted Loosestrife - Lysimachia punctata
And to prove I do sometimes come out in proper daylight - here's a Dotted Loosestrife that invited itself to live beside someone's garden gate. A garden isn't a street - but this is a plant that had wandered in from the street so I reckon it counts.

And this isn't a street plant post - in the sense that on the 21st of alternate months I invite you to search for wild plants in the roads where you live - up on roofs, pressed against fences, lurking in curbs and hanging out on walls. But once I'd seen these I didn't want to lose track of them so I've posted them now.

The next Street Plant Post with a Link Box will be on 21st of October.

Between now and then there'll be a
Standing Still Link Box (Stuck-Foot posts
on 21st of this month - September 2015.

Over the next weeks my summer hectic-ness will be winding to an end and I'll be keeping up properly with posts so they coincide with their boxes. It's been a daft time. Thank you all for bearing with me!

ID with advice (as usual!) from iSpot.